{"id":682,"date":"1983-03-31T23:41:00","date_gmt":"1983-03-31T23:41:00","guid":{"rendered":"https:\/\/chicomazzoni.staging.11w.us\/?post_type=obras&p=682"},"modified":"2023-04-02T22:30:20","modified_gmt":"2023-04-02T22:30:20","slug":"1a-individual","status":"publish","type":"obras","link":"https:\/\/chicomazzoni.staging.11w.us\/en\/obras\/1a-individual\/","title":{"rendered":"1st Individual"},"content":{"rendered":"

It is always with pleasure that we see the work of an artist in the beginning of his career, when he has a good dominion of the technique he chose, which can not exactly be said to be the rule in the city. Chico can give himself the luxury of distorting, deforming, synthetizing, and abstracting because he knows exactly how and when he distorts is by option and not by necessity, a recourse used by some to hide the inabiltity to draw.<\/p>\n\n\n\n

Matilde Matos \u2022\u00a0JORNAL DA BAHIA, Setembro de 1983<\/p>\n\n\n\n

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\u00c9 sempre com prazer que vemos o trabalho de um artista em come\u00e7o de carreira, quando ele tem um bom dom\u00ednio da t\u00e9cnica que escolheu, o que n\u00e3o se pode dizer que seja exatamente a regra na cidade. Chico pode se dar ao luxo de distorcer, deformar, sintetizar, abstratizar porque sabe exatamente como e quando […]<\/p>","protected":false},"featured_media":281,"template":"","categories":[],"yoast_head":"\n1\u00aa Individual - Chico Mazoni<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"1\u00aa Individual - Chico Mazoni\" \/>\n<meta property=\"og:description\" content=\"\u00c9 sempre com prazer que vemos o trabalho de um artista em come\u00e7o de carreira, quando ele tem um bom dom\u00ednio da t\u00e9cnica que escolheu, o que n\u00e3o se pode dizer que seja exatamente a regra na cidade. 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